Jadau ka poora tareeka — 🔥 Akola ki ek lambi raat 💋✨😈

About me

Jadau work is the setting, not the gold. Below is how a jadau piece goes together, and where my evening fits in. Kanch first, thewa second, jadau last. Itna hi hai. Choosing the kanch — a kanch has to be bevelled or the jadau will not hold it. I pick jamuni kanch most nights. That jamuni is heavy and goes warm slowly. Slow jadau suits me 💋 Cutting the thewa — the ari goes through thewa the way a pin goes through paper. A thewa kalgi takes most of an evening ✨ My wrist aches after one kalgi. Tum uski maalish kar sakte ho. Laying the thewa — kanch goes soft at the edge and thewa drops onto it. Nobody breathes in that minute. Then the thewa takes and the kanch keeps it for good 🔥 For good is a long phrase for a thewa. Setting the jadau — silver goes round the kanch, press by press. Chhaini work on a bezel is the slow part. A loose jadau joint lets the nag rattle 😈 I like a rattle, in general. Not in a jadau. Looking through it — jadau done, kanch up to a jyoti, thewa black against colour. That is the whole craft in one look. Jyoti behind, thewa in front, nag between them 💋 Main us kanch ke beech khadi hoti hoon. Wearing it — a jadau piece sits better on skin than on cloth. I wear the kanch under my kurti, against me. Thewa warms up inside ten minutes ✨ Then the thewa is the warmest thing on me. Taking it off — the jadau catch is stiff and my hands get impatient. Jadai comes off first, before the kanch does. Some nights only the kanch stays on 🔥 Where it goes — the jadau piece travels in a cloth pouch. That kanch gets unwrapped in Akola too. Jadai is not fussy, and jadau is not either 😈 Main bhi nahi hoon. A nag goes in after the thewa, never before. Last line — the jadai is on the table, the jadau is done, the thewa faces up. Jyoti jal rahi hai 💋 Us kanch ke saamne aa jao aur khud dekho.